Bronze Age Grape Cup - Wilsford G7
Bronze Age Grape Cup - Wilsford G7
Bronze Age Grape Cup - Wilsford G7
Bronze Age Grape Cup - Wilsford G7
Bronze Age Grape Cup - Wilsford G7
Bronze Age Grape Cup - Wilsford G7
Bronze Age Grape Cup - Wilsford G7
Bronze Age Grape Cup - Wilsford G7
Bronze Age Grape Cup - Wilsford G7
Bronze Age Grape Cup - Wilsford G7
Bronze Age Grape Cup - Wilsford G7

Bronze Age Grape Cup - Wilsford G7

Regular price$130.00
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***This item is made to order, and we will dispatch it as soon as we have handcrafted it for you; this usually takes 60 days, but international orders can take a little longer ***

Details

We based this replica Grape cup on a find from the Wilsford G7 Bronze Age barrow from the Greater Stonehenge landscape. This site is of immense archaeological importance and consists of 19 round barrows that make up a significant cemetery. This lovely little cup is just one of the many treasures that archaeologists unearthed during excavations of this ancient landscape.

The making of this cup is a true labour of love, with six rings of beads running around the body of the pot, each row consisting of around 26 balls of clay, making up over 150 beads in total. It takes great care to apply the beads to the pot's surface and creates a vessel that is elaborate and very tactile. The finished article really is beautiful to hold.
The pot also features holes that the maker had pierced in the spaces between the clay beads. These holes would create good air circulation, making it likely that the makers used the pot to contain something that required ventilation, such as fire, perhaps.
Often referred to as an incense cup, the cup's true purpose is unknown, although several theories have been put forward over the years. One of the more plausible suggestions is that the creators of this style of cup used it to carry a lump of smouldering coal from the home hearth to the ceremonial cremation site.
This use would explain the function of the beads that allow air to circulate between them and stop your hand directly touching the pot's surface, which does get hot from the coal inside. It would also explain why there have been several of this style of the vessel found in burial goods.
It also makes a good handwarmer; we have experimented with this.
But the truth is we will never know for sure.

 

Materials

Smoke fired Terracotta

Dimensions

Diameter 100 mm x Height 70 mm

Production

Completely hand-built, from clays similar in character to those used by the original potters, this vessel has been fired in a wood fire to emulate the original's surface colouration. It has finished with beeswax polish, a material also identified in residue analysis of the originals. When there is evidence of ancient potters' tool use, I have replicated such tools using stone, wood, shell, bone, and antler based on original finds or information gained from marks on original artefacts.

Firing

We have fired this pot to emulate the ancient firing conditions. The original pot was fired in an open wood fire, in close contact with the fuel, a process that leaves its mark on the clay as variations in the surface colour. However, the low temperatures achieved in open firings also result in relatively weak pots, so this pot has been fired to a somewhat higher temperature to strengthen it, in a unique firing process that allows me to achieve an authentic appearance to the pot.

Health and Safety

This pot is a Museum Quality Replica made using the tools and techniques that potters would have used during the ancient era. As this is an unglazed pot with a porous surface, it will absorb some of the flavours during the cooking process, which does add to the taste of future dishes. However, it does also mean that this pot does not meet modern Health and Safety standards, and therefore, we do not advise that it be used for cooking. When ancient cooks cooked in these pots, they relied on applying sufficient heat to the pot and contents to ensure that heat killed all bacteria. Heating to over 70°C for at least 10 minutes would have killed most disease-causing bacteria, and temperatures of 100°C would do even more.

Postage

We send all items using a second class postal service; if you wish to have an item sent first class, please contact me for a quote. Many Thanks

SHIPPING

We ship our fabulous replicas worldwide.

Shipping costs are worked out during checkout. They are based on where you are and how heavy your parcel is.

All UK items are sent using a second-class postal service.

All International items are sent using an international tracked service. Your tracking number will be sent to you via email.

If you wish to have an item sent via another service or have not received your tracking number, please get in touch with us.
Many Thanks


RETURNS

If you aren't completely satisfied with your Potted History piece, please get in touch to organise a return. Please email us at: clare@rothburycreates.co.uk.

Then you can return it in an unused condition within 30 days, and we'll refund you for the item. We don't try to baffle you with nonsense terms and conditions. Including your order number with the returned package will speed things up. Please leave any packaging intact.

Our returns address is:
Potted History, Gregory Court, Rothbury, Northumberland, NE65 7SW

Don't take our word for it

Hello Graham and Sarah, I wanted to message because I ordered your holy grail pot for my dad's birthday and he is over the moon with it.

Rachel Frankish

Many thanks again for all of the pottery - this will help bring our new Heritage learning programme to life!

Nottingham University Museum

I love it! I love everything about it, what it represents, why you made it and the history behind it. It was worth the wait! Thank you so much.

Gillian Castle